The Inverse Interview

Josh Segarra Wants To Tell You A Secret

The Scream 6 star talks Marvel, DC, and what comes next.

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How Ben Schwartz Became the Best at Being the Wooorst

The Renfield star talks being the bad guy and the origins of Jean-Ralphio.

Interview

Bruce Campbell vs. the Marvel Cinematic Universe

“Well, he's in the universe now,” Campbell tells Inverse of his MCU character. “Which means he's in every universe because these are all multi-layered universes.”

“The Shining in space"
The oral history of Event Horizon, Paul W.S. Anderson’s sci-fi cult classic

Twenty-five years later, seven key members of the production reveal how Event Horizon was born, died, and resurrected.

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60 Years Later, 'The Birds' Is a Potent Reminder That We’re Not in Charge

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David Bowie and Tony Scott Made a Vampire Movie. Somehow, Everyone Forgot About It.

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'Hannibal' Turned Murder Into Performance Art — And Changed Network TV Forever

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'The Terror' Turned History into a Horror Show — And Changed TV Forever

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With a Remake On Its Way, It’s Time To Look Back at an Iconic ‘90s Superhero Movie

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The Crow is a goth masterpiece the likes of which we rarely see.

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Stephen King Hated a 1984 Adaptation of His Work — But Then it Won Him Over

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You don’t want to get on Drew Barrymore’s bad side.

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'MaXXXine' Might Not Be the End of A24's X Franchise

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The 50 Best Sci-Fi Horror Movies, Ranked

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For Ethan Hawke, Making 'Wildcat' Was an “Act of Faith”

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In Hawke’s portrait of Southern Gothic writer Flannery O’Connor, starring daughter Maya Hawke in the lead role, “human creativity is an act of faith,” he tells Inverse.

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Netflix's Underrated Fear Street Franchise is Going Back to Basics

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'Interview with the Vampire' Season 2 Wastes Its Killer Potential

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The best vampire show of the decade is back — but its second season lacks real bite.

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With 'Civil War' in Theaters, it’s Time to Revisit Alex Garland’s Most Disturbing and Divisive Movie

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How David Cronenberg's Daughter Made the Year's Most Disturbing Dystopian Thriller

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Humane director Caitlin Cronenberg reflects on following her famous father into genre filmmaking, confronting fears of mortality, and finding just the right amount of blood.